A few days ago, Channing Tatum got honest about a few things, including the status of that second Ghostbusters reboot. The Magic Mike star made it sound like the project was stuck in development, toiling away under the watchful eyes of countless Sony execs. Today, it looks like Tatum was underselling the situation. In a separate interview with his producing partner (and Magic Mike XXL co-director), Reid Carolin, it was revealed that Tatum won’t be busting any ghosts after all.
Everyone knew that Jurassic World was going to open big, but no one saw this coming. The fourth film in the beloved dinosaur-centric franchise had the second biggest domestic opening of all time, the biggest June opening of all time, and, with $511 million worldwide, the biggest international opening of all time. It also broke a bunch of records that we’ll get to in a few minutes. This was supposed to be the summer of Avengers: Age of Ultron. Unless something goes horribly wrong, this is officially the summer of Jurassic World.
In news that should surprise absolutely no one, the massive disaster movie starring Dwayne Johnson stomped all over the box office this weekend, effortlessly topping the top 10. San Andreas may not have ma
Tomorrowland may have taken the top spot at the box office in its debut weekend, but things still look awfully grim for the George Clooney sci-fi vehicle. Not only did the film open far below expectations, it faced serious competition in Pitch Perfect 2, which continued to kick aca-butt in its second weekend. And it wasn’t the only new release to under-perform, with the Poltergeist remake also falling short of early predictions. If you were a new release this weekend, things were awfully rough.
There’s a bizarre narrative floating around the internet: Avengers: Age of Ultron is already a disappointment because it didn’t open higher than The Avengers in its first weekend. This seems to be ignoring the fact that The Avengers had the biggest opening of all time and Avengers: Age of Ultron now has the second biggest opening of all time, which is nothing to scoff at. Sure, the sequel may not match the numbers of the first movie in the end, but it’s already well on the way to becoming one of the biggest movies of the year. And of all time.
In an age where audiences are inundated with superhero movies and superhero movie news, Josh Trank’s upcoming Fantastic Four reboot has distinguished itself from the pack by being the movie that no one knows anything about. Aside from that vague, Interstellar-inspired teaser trailer, most of what we know about this film comes from hearsay and gossip. Depending on who you talk to, the film is either coming along fine or it’s an incomprehensible disaster. Could the brand new poster for the film give us anything new to chew on?
The Late Late Show With James Corden made its grand debut last night, with seemingly every celebrity in existence popping up to say hello. But for his first official guest, Corden snagged everyone’s favorite actor: the one and only Tom Hanks. More importantly, he got Tom Hanks to get really silly and there are few things better than Hanks throwing caution to the wind and embracing his inner comedian. In this case, he got the two-time Oscar winner to re-enact all of his movies in less than eight minutes.
We heard rumors a while back that Captain Marvel would make her big screen debut in Avengers 2 before getting her own solo film in a few years, but then heard this was no longer the case. Now, according to a source who has been right about this kind of stuff before, Marvel has secretly cast their Carol Danvers and has plans to introduce her very soon.
When Sony finally put a bullet in the dying (suffering!) Amazing Spider-Man series and agreed to team up with Marvel Studios to bring Spidey into the Marvel cinematic universe, the internet rejoiced for about two seconds. And then it got all grumpy and weird and slightly racist, but that’s just the internet for you. Well, get ready for everything to grumpier and weirder and slightly more racist because Marvel is supposedly deep in their search for the new Peter Parker right now and one of the names on their list has been revealed.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
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