J.J. Abrams revved up the engine on the ol’ Star Wars ship, launching the series on a new journey with The Force Awakens, but declining to return for the subsequent sequels. Instead, Rian Johnson (Looper) and Colin Trevorrow (Jurassic World) will be steering the franchise from here on out, directing Episodes 8 and 9, respectively. Johnson is in production on Episode 8 right now, and according to The Force Awakens star Daisy Ridley, the script is “very good.” How good? Abrams regrets turning down the chance to direct it.
The original Star Wars was driven by nostalgia for pulp magazines, Saturday-morning serials, and a simpler era with clear-cut heroes and villains. The new Star Wars is driven by nostalgia for the original Star Wars, and a simpler era when that title evoked words like “adventure” and “excitement,” and not words like “the taxation of trade routes,” and “Jar Jar Binks.” The characters in Star Wars: The Force Awakens are all searching for something of great importance to the galaxy far, far away. I won’t reveal what this MacGuffin is, but I will tell you what it represents: that old Star Wars magic. Can director J.J. Abrams and the rest of the saga’s new creators find it?
Q: What is the best part about getting a thing of fast-food french fries? A: Believing you have finished your cheat-day treat, only to discover that there are still a few stragglers with a pulse left in the bottom of the bag. This phenomenon might illuminate a bit of the logic behind the recent proliferation of post- and mid-credits scenes in studio blockbusters, the practice in which a film squir